2023 was a good year. It was a busy year - both professionally and personally. But somehow I managed to fit in 115 new horror movies. And yet, it never seems like enough. There are still movies I missed - though mostly those little indie movies released toward the end of the year, like Raging Grace, Loop Track, and Everyone Will Burn. I still haven't seen The Nun 2. Or Satanic Hispanics. And a dozen more, that were never checked off my list. Aside from a very poor run in October, this year was an incredibly solid year for horror - both with the mainstream offerings and the indie gems. The year kicked off with Skinamarink and The Outwaters, and I thought, oh hell - people got weird in 2020 and this year is going to be one for experimental horror. Which isn't a complaint but something to brace for. And while I *appreciated* Skinamarink, I despised The Outwaters. The only other film that may fit into that experimental category would be Enys Men. A strange but pleasant movie with a bizarre ending. Out of the 115 new movies watched this year, I liked all but 25 of them. One could say I'm not a very picky movie-goer but I would say that I'm a very forgiving viewer. I rate a movie based on the experience I had while watching it - and not because it was "good" or "bad". Of which there are many, but that's not my rating system. So, let's cut the chitchat and get on with the show. In loose viewing order from oldest to newest -
Sick
Though a little late to the game as far as Covid pandemic movies are concerned, despite its tired topic, it turned out to be a fun slasher anyways. Call me a softy for a masked killer chasing people around with giant kitchen knives, but in a world dominated by supernatural horror, this really hit the spot. It was also directed by John Hyams, a director that made one of my favorite horror films of 2020, Alone, and written by none other than Kevin Williamson - the father of the Scream franchise.
Unwelcome
Set in Ireland this gory, gruesome little number is a fresh take on the "red cap" goblin folklore. The movie plays with themes of who the real villains are here, humans or these devilish goblins, and I daresay the answer is both.
Megan
I'm still not sure if I genuinely love M3gan or simply find its ridiculousness to be irresistible. I guess both can be true. Regardless I've watched it twice now and both times I found myself still having loads of fun, which frankly is the highest quality in which I measure how a horror film ranks with me.
Baby Ruby
An allegorical horror movie about postpartum depression that uses paranoia and gaslighting as devices to tell a rather effective, sinister tale of a woman who quickly loses her grip on what is real and what is not, after the birth of her child. I'm still unsure about the weird twist of an ending but I do know that this movie had me on the edge of my seat the entire time.
The Pope's Exorcist
My interest in this was so low that I literally turned off its trailer a minute in and declared, "nope. looks terrible." And I would have gone without seeing it too, if not for a friend's interest and proactive rental. So I sat there, mildly judging Russell Crowe's Italian accent, until something strange happened. I started enjoying it. And in fact, the movie kept subverting my expectations turn after turn, right up until the batshit crazy ending that I definitely did not see coming. The conclusion? Hell yeah, that shit was awesome.
Fear
As previously stated, I measure a horror movie by how much fun I had watching it. Elevated horror is great, and I definitely can get behind all those fancy pants "great" horror movies. But sometimes love is in the eyes of the beholder, which brings us to Fear. Not a great horror movie, but a fun one. And it checked a lot of boxes for me. Vacation horror. Isolated horror. Hotel horror. Burial ground horror. Pandemic horror. Not to mention its predominately black cast, which is still a rarity in the horror genre and like everything else, support the things you want to see more of in this world.
The Blackening
Speaking of all black casts. Damn, I loved this movie. I'm not one for the "Scary Movie" kind of horror comedy, so I was a little dubious going in. But thankfully the tongue-in-cheek style humor is at a minimum, or at least done with enough elegance that I wasn't eye-rolling. Instead I felt like it was more just a straight up horror comedy with some really effective scary killers and a creepy "play the game or die" element. I kind of saw the end coming, which I don't hold against it, but I saw all those '80s whodunit slashers too and yeah, no shocker there. Consider the journey and not the destination. Can't wait for this one to be streaming for a rewatch.
Clock
Scream VI
Full disclosure, I seriously disliked 2022's Scream requel. I am a huge fan of the franchise, it is in fact my favorite franchise, and when I saw '22's Scream in the theater I was like, what the fuck is this. They killed the essence of the franchise. Where's the humor? Why is it so dark and violent and the legacy cast is barely in it. And then I watched it again and disliked it a little less. And then I went to the theater to see Scream VI and omg, standing ovation in my heart. They stopped having one foot in the old franchise and one in the new and instead fully committed to this new Scream vision. Taking it out of Woodsboro, not having Sidney Prescott appear, being super stabby with a whole lot of red herrings and gruesome death scenes, and creating a mildly psychologically imbalanced "star", setting her up to be a possible future killer, yeah they really leaned into the new era of the franchise. And I am here for it.
Evil Dead Rise
Bad Girl Boogey
An indie gem that is as creative as it is poignant. Director/Writer Alice Maio Mackay combines a gory slasher movie with a film about trauma and coping, and an allegory about how abuse and violence become a part of us, easily passed on if it's not stopped. The music is fantastic, the characters feel like real people, and I loved how queer this movie is without it having to talk about how queer it is.
The Breach
A smooth low budget creep-fest of Lovecraftian proportions, this Nick Cutter adaptation (author of The Troop, The Deep, and Little Heaven) is directed by Rodrigo Gudino, founder of Rue Morgue magazine and writer/director of The Last Will and Testament of Rosalind Leigh! It's weird, gross, and has some big ideas for such a little indie horror flick. The acting is super solid and elevates this film into something memorable and impressive. And the makeup effects for the body horror conclusion are just, a+ disgusting.
Dark Harvest
Based on the 2006 novel by Norman Partridge, and directed by David Slade - most known for Hard Candy, and 30 Days of Night. I went in blind to this one and was surprised by an intriguing small town mystery with interesting characters, a solid script, surprising gore, and an unpredictable ending. There wasn't a moment of this film that I didn't enjoy.
No One Will Save You
An incredibly unique, stylish, small town alien invasion movie turns clever survivalist horror, turns... really fucking weird. The 'little grey men' are both terrifying in action and a little silly in looks, but it equals effective thrills, as the brilliantly compelling lead, actress Kaitlyn Dever, gives this performance her all. Also, there is no dialogue in this movie. None. The ending was extremely peculiar and didn't seem to fit the vibe of the movie, but I give it props for being unpredictable!
Deliver Us
An ambitious, gorgeous movie that is riveting and thrilling and at times, very very bloody. There's layers upon layers without getting too tangled within itself, it simply works on every level like a jigsaw puzzle, fitting perfectly, revealing all. I look forward to rewatching this and getting all the small details that I may have missed the first time around.
The Boogeyman
I'm always super down for a Stephen King story horror movie, but for some reason I was in no hurry to watch this one. Perhaps it was because the 2005 adaptation of the same name was so incredibly terrible, that its rotten legacy tainted this one. So when I finally got around to seeing it on its last weekend in the theater, I went in blind, expecting a boring supernatural slow burn. Boy, was I wrong. Boogeyman is a riveting creature feature that does not let up. It's got its fair share of quiet dread, sure. But then it wallops you with that long dark hallway that you just know holds the horrible body of a creature that is going to tear you apart.
Megalomaniac
Damn, Belgium. Putting the "horror" back in horror movie. It's a pretty brutal watch but holy hell was it good. A very bizarre, violent, unsettling movie about, essentially, a family of serial killers. The entire cast of actors are just phenomenal. Portraying unhinged mental illness and the capacity for familial normalcy in one flawless motion. The ending is wild and jaw-dropping and strange and I literally wanted to give this a standing ovation when it was over but was frozen in shock. This movie is NOT for the faint of heart. You've been warned.
Totally Killer
An extremely fun '80s time travel slasher whodunnit! I was worried this wasn't going to be horror enough for me but I was pleasantly surprised on just how "slasher" this ended up being. Throw in a cast of delightful characters, hilarious '80s vs '23 social commentary, and lots of clever dialogue - this movie was a super good time. Will be ranked up there with Happy Death Day for a comedy slasher mystery and added to my cozy horror watch list!
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